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Hearing management

Updated 13 December 2017

Deafness shaped Beethoven’s music

Progressive deafness profoundly influenced Beethoven's compositions, prompting him to choose lower-frequency notes as his condition worsened, scientists said.

Progressive deafness profoundly influenced Beethoven's compositions, prompting him to choose lower-frequency notes as his condition worsened, scientists said.

Beethoven first mentioned his hearing loss in 1801 at the age of 30, complaining that he was having problems hearing the high notes of instruments and voices.

By 1812, people had to shout to make themselves understood and in 1818, he started to communicate through notebooks. In his last few years before his death in 1827, his deafness was apparently total.

Writing in the latest issue of the British Medical Journal (BMJ), a trio of scientists in the Netherlands dissected Beethoven's string quartets.

Use of higher notes decreased as deafness progressed

They grouped these works into four ages, ranging from early (1798-1800) to late (1824-26).

The experts looked at the first violin part in the first movement of each quartet, counting the number of notes above G6, which corresponds to 1,568 Hertz.

Use of higher notes decreased as the deafness progressed, they found.

To compensate, Beethoven used more middle- and low-frequency notes, which he could hear better when music was performed.

But in the late quartets – written by the time he was totally deaf –the higher notes returned.

"When he came to rely completely on his inner ear, he was no longer compelled to produce music he could actually hear when performed, and slowly returned to his inner musical world and early composing experiences," says the paper.

The study is authored by Edoardo Saccenti, Age Smilde and Wim Saris of the Netherlands Metabolomics Centre in Leiden.

(Sapa, December 2011) 

Read more:

Beethoven 'killed by doctor'

 

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Hearing Expert

Minette Lister graduated with a Bachelor of Communication Pathology (Audiology) from the University of KwaZulu-Natal, Westville in 2015. Thereafter, she completed her compulsory year of community service at Phoenix Assessment and Therapy Centre in Durban. In 2017, Minette started working for Thompson and Hoffman Audiology Inc. She is passionate about working with children and adults to diagnose and manage hearing loss using state of the art technology. Minette offers hearing screening programmes for newborn and high-risk babies, as well as school-aged children, in order to decrease the incidence of late or unidentified hearing loss.

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